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A probing sensitivity

Shaju John's photographs tease out the ironies in the lives of women. On show till March 24

PHOTO: S. THANTHONI

THOUGHT PROVOKING Shaju John's photographs on display

In the cozy confines of an air-conditioned first class compartment, a mother is fast asleep beside her child, both of them comfortably covered by a blanket. The photograph suggests that they probably just got done with dinner — we can see the tiffin box and a mineral water bottle on the makeshift table.

Right below, we see another picture of mother and child. They are sleeping too. Right under a truck that provided them shelter from the scorching sun. The child does not have a piece of cloth on him. And, painted on one side of the body of the truck are the alphabets D-I-E, appropriately brought into the frame probably from the word: `Diesel.'

Vivid imagery

Lensman Shaju John's frames revel in bringing out the contrasts and ironies in the lives of women. The vivid imagery not just tells a story, the pictures also address issues and trigger discussions. Maybe some of that probing sensitivity comes from being a photo-journalist. (Shaju John is a full-time employee of The Hindu).

"This is just a small collection I put together for the occasion. This wasn't planned as a collection," he says of his set of photographs on display at the Alliance Francaise of Madras. The collection called "Women: Struggle and Triumph" is a part of Alliance Francaise's month-long celebration of women.

Shaju's frames are candid. They expose a society and its inherent inequalities, a way of life dictated by not just culture but also by economic diversities. They capture the spirit and the determination of working women, the stark realities of their everyday life, the power of motherhood and the vulnerability of the physical form.

The photographs are not just visually brilliant compositions, they are a delight for those who appreciate the ironies of life and the unique ability of a frozen moment to strike a chord. The high emotional quotient makes these pictures timeless, thought-provoking and moving.

The exhibits are poignantly captioned, sometimes providing us the back-stories of the subjects and sometimes bringing to light the issues and the context behind those thousand words spoken by pixels. Shaju admits to digitally adjusting brightness, contrast and saturation of colours in a few pictures, to enhance the mood. But, to be fair to him, the final frames do seem to justify the means.

On Monday evening, at the inauguration of the exhibition, the photographer interacted with the guests, explaining his motivation, techniques and stories behind every picture. The exhibition is on till March 24.

SUDHISH KAMATH

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